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INTERVIEWS
Ben Barker
Karen Barker
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Norma Jean Darden
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Jessica B. Harris
Ronni Lundy
Louis & Marlene Osteen
Marie Rudisill
Frank & Pardis Stitt
SFA Founding Members
Ann Abadie
Kaye Adams
Jim Auchmutey
Marilou Awiakta
Ben Barker
Karen Barker
Ella Brennan
Ann Brewer
Karen Cathey
Leah Chase
Al Clayton
Mary Ann Clayton
Shirley Corriher
Norma Jean Darden
Crescent Dragonwagon
Nathalie Dupree
John T. Edge
John Egerton
Lolis Eric Elie
John Folse
Terry Ford
Psyche Williams-Forson
Damon Lee Fowler
Vertamae Grosvenor
Jessica B. Harris
Cynthia Hizer
Portia James
Martha Johnston
Sally Belk King
Sarah Labensky
Edna Lewis
Rudy Lombard
Ronni Lundy
Louis Osteen
Marlene Osteen
Timothy W. Patridge
Paul Prudhomme
Joe Randall
Marie Rudisill
Dori Sanders
Richard Schweid
Ned Shank
Kathy Starr
Frank Stitt
Pardis Stitt
Marion Sullivan
Van Sykes
John Martin Taylor
Toni Tipton-Martin
Jeanne Voltz
Charles Reagan Wilson
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Interviews by SFA Members and Friends
Project sponsored by Jim 'N
Nick's Bar-B-Q
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Frank
& Pardis Stitt
From an intellectual level I think it’s just great
for other people to come together and talk about some of their great and
not so great times of cooking and of those traditions that I learned about
through my grandmother’s farm and being at my grandparents’
farm table. And I think that those are the things that I feel as a chef
and a Southern chef somewhat obligated to preserve, to talk about, and
find out the best most wonderful salient things and to pass those on.
– Frank Stitt
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A native of Alabama, Frank Stitt has, over the course of
a life in the kitchen, birthed four restaurants – Highlands Bar
and Grill, Chez Fonfon, Bottega, and Bottega Café – in one
Birmingham neighborhood, making the Southside of that town one of the
region’s dining destinations.
Early in life, he left the South. Tufts University in Boson came first.
Then the University of California at Berkeley where, inspired by his reading
of Richard Olney and Elizabeth David, he sought a kitchen job. Eventually
he found his way to Alice Waters’ Chez Panisse. And from there to
a position, in France, working as Richard Olney’s assistant.
But the pull of the South proved great. In 1982, he retuned to his native
Alabama. A quartet of restaurants followed. Recently, he wrote Frank
Stitt’s Southern Table: Recipes and Gracious Traditions from Highlands
Bar and Grill, an homage to Southern cookery, filtered though his
various peregrinations. Therein you will find recipes for roast venison
with cabbage, spoonbread, and bourbon; soft-shell crab with brown butter
and bacon vinaigrette; and skirt steak with watermelon and red onion relish.
In 2006 Stitt received the Jack Daniel Lifetime Achievement Award from
the Southern Foodways Alliance.
Listen
to this 2-minute audio clip
of Frank Stitt talking about his fascination particular elements of Southern
food and what we’re on the verge of losing. [Windows Media Player
required. Go here
to download the player for free.]
---
What follows is a portion of the original interview that
has been edited for length. To download the entire transcript in PDF form,
please click here.
Subject: Frank & Pardis Stitt
Date: December 30, 2004
Location: Highlands Bar and Grill – Birmingham, AL
Interviewer: Jake York, SFA Member
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Jake York: This is Jake York on December 30, 2004, with
Frank and Pardis Stitt at the Highland Grill in Birmingham, Alabama. First,
I wondered if you could tell me—each of you how you became involved
in Southern Foodways Alliance; what was your sort of first—first
point of involvement?
Frank Stitt: I think it was via John T. Edge. John T, I guess it was kind
of—told us about what he was planning. I think that Martha Johntson
at Southern Living also was encouraging us to be involved and it just
was something that was if there’s anything that’s right up
our alley it’s being involved with Southern Foodways and the Southern
traditions of food and how that affects us personally and as well as culturally.
Pardis Stitt: I think it was in ’98 that we did that event on the
campus [of the University of Mississippi] and Frank did the lunch out
on the quad with the pig ear sandwiches and—which I think it was
actually a big hit. It was a lot of fun being out there and my first introduction
to Oxford.
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And so you cooked the lunch there and then you were also at the fifty
founders’ meeting [in Birmingham]—both of you, the next summer?
FS: Right, that’s right.
Can you describe your participation in that founders’ meeting
in the summer of ’99?
FS: I just remember being there at Southern Living and there were of course
lots of personalities involved, from Natalie Dupree and others, who I
think had certain ideas. And then I was certainly, I think, able to express
my ideas of—of how it’s a lot ingredient driven and how interested
I am in working with local farmers in producing Southern ingredients so
that we can have wonderful ingredients to cook with for me as a chef—as
a restaurateur and for us just as a culture so that we don’t lose
out on the lady peas and the butter peas and the—the Georgia Bell
Peaches that we need to preserve.
What did you hope that Foodways Alliance would do and did you see it
being a part of that sort of preservation process? How exactly did you
envision the Alliance?
FS: Well I—as a preservation and also as a gathering of ideas to
reminisce, share stories about food memories of food histories that were—I’m
from, from northern Alabama. Well in many ways were similar but different
from people throughout the South, and from an intellectual level I think
it’s just great for educated and—and other people to come
together and talk about some of their great and not so great times of
cooking and of those traditions that I learned about through my grandmother’s
farm and being at my grandparents’ farm table. And I think that
those are the things that I feel as a chef and a Southern chef somewhat
obligated to preserve, to talk about, and find out the best most wonderful
salient things and to pass those on.
PS: I don’t know if I ever thought of that—my goodness; that
was very good. [Laughs] You know something, fast-forwarding the events
of past summer and—I don’t know if you’re interested
in talking about that so much—but that was a fascinating weekend,
I guess, of having just all these very, very interesting people come to
Birmingham and to—I mean just the dialogue, you know. And I think
that’s what—that’s sort of based on what you just said,
to have people come together and to discuss these ideas. And there’s
so many things that we just know but we don’t—you know, you
hold onto them and then there were people from Ohio; they were from all
over the country—Colorado—discussing how Southern Foodways
and, you know, they were just fascinating.
FS: But I think something else that struck a cord of familiarity and with
John T and Pardis and myself here at Highland and our restaurant has always
been a collaboration between the African American—the black Southerners
and the white Southerners, and I think that John T saw in our community
there was a restaurant as well as in a larger community—Birmingham—of
how that’s come together to—for us to be at the table together,
for us to be in the kitchen together, and to kind of have a good way of
relating with blacks and whites. And so I think that’s something
that’s a little bit special about our history here in our restaurants.
Say a little bit more about that. I mean what is the background of
Highlands Grill that makes that particular—?
FS: Well when I started Highlands in [nineteen]’82. I basically
brought with me a half dozen folks that we all worked together at the
Hyatt—the Regent—the Hyatt downtown in Birmingham and this
was—we had done that in ’79 and ’80 and ’81 and
there was Gordon Avery, there was Wayne Russell, and there was Clarence
Young...There was a core group of people that happened to be predominantly
black who are folks that 20-something years later are still a part of
our—our restaurant and so I think that kind of mutual respect for
the individual qualities among one another has been an example for other
workers, for other employees, and for the community to see that, whether
subconsciously or not, that here was a restaurant that was trying to be
the greatest restaurant in the South, and it was not your old country
club set of you had the white managers and you had the black workers.
There was very much the—the people that have managed to have taken
care of important decisions and have influenced our path—have been
black people from Alabama, and these are the people that are our friends
as well as our co-workers.
And is this relationship something that you had in mind as part of
Southern Foodways when you went to those first Alliance meetings, the
symposium, and the meeting?
FS: I think that that’s more something that John T has pulled out
of—
PS: This was a natural relationship for us; I mean this is not something—it’s
not a contrived situation. It’s just this is our life; this is the
way it is and we consider ourselves just—
FS: Right; that was not so much an agenda; the agenda was just to have
integrity as a businessman and as a chef and as a restaurateur and to
fight any attempts at racism whenever I spotted it among purveyors or
among other employees. And so I think that—that’s—I’m
not a hero. I wasn’t on the lines fighting for civil rights in the
early ‘60s but—I was about eight years old—but anyway
this is—in a small way this is a way for us to bring two communities
together.
Now have you been involved in any other societies that saw to preserve
Southern foodways before you became part of the Southern Foodways Alliance?
There was Society for Preservation and Vitalization of Southern Food and
there was American Southern Food Institute.
FS: No, I was not a significant member of those. I perhaps was talked
to or consulted. I was involved with the American Institute of Food and
I’ve been—
PS: But nothing specific to Southern foodways.
FS: Been involved with Board National—Board Member of the Chef’s
Collaborative for promoting sustainable agricultural and humane animal
husbandry, but nothing else.
Was there a key moment in either the symposium in ’98 or in the
Founders Meeting in ’99 that you remember that sort of crystallizes
your thoughts about what the Alliance was going to be?
FS: Well I think that to see the University of Mississippi and Oxford
and to have the support of that University and to have a dynamic individual
like John T heading that up that here was finally a group that could corral
all of these disparate ideas and the themes and traditions and have the
funds and the wherewithal to put it together. I mean no one else could
do this as an individual. I mean so it was just—I think a wonderful
thing that the University of Mississippi and John T did and for me that
just is like, “Wow, this is good.” I mean there’s a
secretary that can answer the phone and there is somebody that can respond
and there’s some people that can put some work into the administrative
side that all of us that are—I mean as a chef and restaurateur,
we don’t have time to do something like that.
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How far in advance of the [2004] Birmingham field trip did John T or
someone else from the Alliance get you involved?
FS: Well this would just be a guess but my recollection would probably
be about six to nine months out.
At that point what were you being asked to contribute?
FS: Well to do a lunch, to bring people together on that Friday and to
then—to speak to the participants at that lunch, as well as to be
on the follow-up panel about—actually, there were two other food
professionals besides myself who were—who are black and we talked
about our involvement in—as a food professional and also just how
race has affected us and how food has brought us together.
And how did that influence your menu planning for that particular lunch
or, you know, your comments?
FS: Well the menu planning, I think, for that lunch was I wanted to do
kind of this take-off on a meat-and-three and—but instead of a meat
I did rainbow trout and a Smokey Mountain trout that—with—but
with wilted greens and with cornbread. And with I’m not sure if
we did creamed corn or what we did but basically, a slightly lighter healthier
lunch. And my sensibilities of having a lunch that is light, so that people
can be fresh and feel good to pursue their day in the symposium and the
seminars.
By a meat-and-three, what does that mean; what does that signify to
you? Why did you focus on that?
FS: Well I—the old-time Southern restaurants that I think had prospered
throughout the mid-part of the 20th Century and the late part of the 20th
Century were often places that did have Southern vegetables, and that
was the three and then the meat was something—another component
of it. And I think that—I mean from a Niki’s West to a Social
Grill to all the other countless Southern restaurants, I think there’s
something about those humble restaurant connections that, I think, for
somebody like me to stay tuned into and not to get too fancy and be doing
Maine lobster for, you know, an event like this.
Is that part of your childhood eating, as well—a meat-and-three?
I mean you described—those are Birmingham restaurants you’re
referring to.
FS: Right, right. I was—had more of the farm experience with my
grandparents’ farm of having the most incredible vegetable lunches
throughout the summer that came directly from my grandmother’s garden
and those—the quality of those ingredients and those Southern styled
creamed-corn and fried okra and boiled okra and stewed okra and tomato
salads and cucumber salads and pole beans and green beans and cornbread
and butter beans and pink-eyed peas and new potatoes cooked with onions,
those were the things that are my food history and memories of the Southern
table. It’s only been in my adult life that I kind of would see
a Niki’s or other places that—where typically, you would be
exposed to those kinds of foods.
And how did you choose the particular elements for that lunch? I mean
your suppliers and so forth, did you seek out special farms or—?
FS: Well I mean this was—actually, more of the Farmers Market of
what’s in season at that time. And also, there is one farmer that
I deal with and—and—Danny Jones in Blount County—and
he kind of keeps me tuned into what’s coming in. Also Michael Dean,
an organic farmer, who helped supply some of the other ingredients; he’s
here in Leeds and so those are the—and the farmers who keeps us
grounded, as far as letting us know what’s in season and what we
should be cooking.
Where would you like to see the Foodways Alliance go from here now that
you’ve come through the Birmingham filtrate?
FS: I have memories that are kind of shaky; some of the old elegant dining
rooms of the South—there was the Lions Hotel in Decatur, Alabama,
and there was another restaurant, I think, that did pig brains and eggs
in Decatur. There were the early days of the all-steak. You know there—from
what I understand there’s a restaurant in Talladega that had a great
history of interesting food. There were some wonderful junior league cookbooks
from Mobile back in the late part of the 19th Century and of Louisiana
cooking in the early 20th Century, late 19th Century. I’m fascinated
by recreating some of those menus and some of those foodways and some
of those connections. We’ve lost a lot of our preserving of foods—curing
hams, bacon, putting up vegetables; I’m absolutely fascinated with
that part of the food cycle. And so what used to be done, whether on church
get-togethers or at the grandma’s farm, we’re quickly losing
sight of that. I’m—I think it’s important that we have
a better connection with the farmers so that we can encourage them that
they can get a little bit more money for growing the varietals of vegetables
that are growing—that used to be grown for flavor and even now the
ones that do have flavor and integrity—have character instead of
what’s happened with agriculture in the last 50 years is just the
factory mentality of farming. And I think that mentality of producing
the cheapest possible food has really been a terrible disservice to our
country. You know, we’ve got to really rethink that. We’ve
got to encourage our governments to have slaughterhouses so that people
can raise animals humanely and feed them good feed and then have them
processed, instead of having them shipped out to, you know, a feed lot
in the Midwest, where they stand elbow-deep in their own manure for a
couple months; and so we’ve got some real problems in our foodways
right now.
Do you think the symposium model is enough? Do you think that it offers
enough opportunities to do that sort of thing, or are there other types
of action you would like to see the Alliance participate in?
FS: No, I think that the Alliance needs to get a little bit more political
and have some of our politicians at these events, and I also would like
for us in our recognition of the history of the Southern farm—the
Southern foodways—is to think about the health and nutrition and
how we’ve lost—are losing that to the factorization of farming.
And I think that there is a possibility of Southern Foodways to help niche
markets of farmers that are going to grow—raise free-range chickens
and are going to raise heirloom varieties, but we’ve got to be a
facilitator in getting that out and getting it out to our politicians
so that basically, now, who runs things are the huge agri-business farmers
and that it is absolutely cross-purpose to what I think is important.
I just want to ask you a couple of—these are more sort of background
questions about yourself. Can you tell me when and where you born?
FS: I was born in Birmingham in 1954, August 4th.
And then where did you grow up—was it around Birmingham?
FS: My father was in—finishing his surgery residency here and then
he moved to Cullman; we moved to Cullman in about ’58 and I grew
up in Cullman, Alabama—50 miles north of here.
And you described your grandparents’ farm. Was that in Cullman
or near Cullman?
FS: Right outside Cullman was my grandparent—White’s farm,
that’s right.
And you spent a great deal of time there as a boy?
FS: Well we—yes. Yeah.
Is that your primary engagement with Southern foodways, through your
grandparents that way or also in your parents’ home?
FS: Well through my parents and my other grandparents we got to travel
a lot to—whether it’s New Orleans on a regular basis to eat
and then great restaurants there or Atlanta or Highlands, North Carolina,
or—but throughout the South. And so that was pretty good exposure
to—to different things but it was—some of my great food memories
are certainly from those small gardens of my grandparents.
Are we also cooking at—?
FS: No, not at all.
When did you begin to prepare?
FS: I started cooking when I was living in the Bay Area and going to school
at UC Berkeley in the mid-‘70s and at that time I was fascinated
with the French food, the French culture, French language and not—had
not made the connection of trying to celebrate Southern foods or Southern
traditions.
What brought you back around to Southern foods?
FS: After living in California for three years and having been in Boston
for two years, then I moved to Europe. Basically, I was fascinated with
the French foodways and so I was lucky to work with a great food writer
Richard Olney, and through his mentoring I became all the more fascinated
with food and as—actually, it was spending time in the markets in
the south of France that I kind of had an epiphany of thinking, well in
many ways, you know, these small towns and rural areas of the south of
France have a certain connection or similarity to the ones in the South.
And then I decided to come back here, even though I had a little—spent
a year in the Caribbean and then decided to come back and to try to create
a great restaurant here in Alabama.
Now can you describe your greatest meal—single meal of your—of
your youth, let’s say before you graduated high school?
FS: Uh-hmm. [Sighs] Well those, I mean—those summer meals at my
grandparents where there was creamed corn made with filled corn and corn
on the cob made with sweet corn and stewed okra with onions and tomatoes
and fried okra and butter beans and potatoes cooked with onions—those
meals were just astounding to me and they—partly because meat was
not the main attraction but it was all of these incredible vegetables.
I mean I didn’t really realize how fortunate and how—I mean
how much work went into that but there was just a savory-ness that was
unique.
What’s the culture of this type of meal that you would call—were
there certain rituals? Is there a curriculum for the meal?
FS: Well it’s really—it’s being a gardener at heart
and then my grandmother and mother were both gardeners, and they also
loved flavors—just the pleasure of good food—and they would
go to such incredible links to make the preserves and the jams and the
marmalades; they loved being in the kitchen, and they loved sharing their
food. And sharing their food, I think, was their biggest connection with
kind of just the love of being alive.
And your parents and grandparents, have they eaten in your restaurant?
FS: Well my parents have and they’re both deceased and my grandparents,
Ulela [?]—my grandfather did not and Ulela did and my grandmother
Stitt did but not my grandfather Stitt.
And did they feel that you were honoring their way of life, their way
of eating?
FS: I don’t really know if there was so much of that as I think
they thought it was amusing that, you know, this kind of fancy restaurant
was using these humble ingredients that you don’t think of in a
white-tablecloth restaurant.
[Do] you have other things you’d like to say about the Alliance
or just, you know, Southern foodways in general—what you’d
like to see happen next.
FS: Well I think that for us to try to make a commitment to sustainable
agriculture for the sake of our environment and for the sake of our regional
well-being I—that’s very important. Sustainable fishing needs
to be addressed; there needs to be very serious limits imposed on fishing
so that we will have wild fish for the future. I feel like sometimes we’re
watching a train wreck and not realizing that the train is wrecking when
it comes to the factory farming mentality.
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To download the entire transcript in PDF form, please click
here.
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